Lee You-mi of "Squid Sport" scored a win on the 2022 Inventive Arts Emmys.
Chris Pizzello/Invision/AP
Lee You-mi of “Squid Sport” and Colman Domingo, Laurie Metcalf and Nathan Lane had been greatest visitor actor winners at Sunday’s artistic arts Emmy Awards.
The honors had been introduced on the two-part weekend ceremony, which on Saturday had yielded a number of trophies for the particular “Adele: One Evening Solely” and the documentary sequence “The Beatles: Get Again.” Every received 5 awards.
“Euphoria,” “Stranger Issues” and “The White Lotus” emerged as Sunday’s large winners, additionally incomes a quintet of trophies apiece.
The artistic arts awards are a precursor to the primary Emmy ceremony that can air at 8 p.m. EDT Sept. 12 on NBC, with “Saturday Evening Dwell” solid member Kenan Thompson as host.
Lee received the drama sequence visitor actress award for the position of ill-fated Ji-yeong within the South Korean drama, the primary non-English language sequence Emmy nominee. Its rivals at subsequent week’s awards embody “Succession” and “Ozark.”
Domingo, who seems on “Euphoria” as Ali Muhammad, a drug-addiction restoration sponsor, received the drama sequence visitor actor trophy.
On the comedy sequence aspect, the winners had been Metcalf for “Hacks” and Lane for “Solely Murders within the Constructing.” It’s Metcalf’s fourth Emmy after a trio for “Roseanne”; for Lane, it’s his first after a number of nods for reveals together with “Frasier” and “Trendy Household.”
Different weekend winners included former President Barack Obama, who earned the very best narrator Emmy for his work on the Netflix documentary sequence “Our Nice Nationwide Parks.”
Taylor Simone Ledward, widow of “Black Panther” actor Chadwick Boseman, accepted his posthumous trophy Saturday for excellent character voiceover for the Disney+ and Marvel Studios animated present “What If…?”
Right here is the complete checklist of artistic arts winners.
Excellent Casting for a Comedy Sequence: “Abbott Elementary”
Excellent Casting for a Drama Sequence: “Succession”
Excellent Casting for a Restricted or Anthology Sequence or Film: “The White Lotus”
Excellent Interval Costumes: “The Nice”
Excellent Up to date Costumes: “Hacks”
Excellent Fantasy/Sci-Fi Costumes: “What We Do within the Shadows”
Excellent Interval and or Character Hairstyling: “Bridgerton”
Excellent Multi-Digicam Image Modifying for a Comedy Sequence: “How I Met Your Father”
Excellent Choreography for Scripted Programming: “Euphoria”
Excellent Sound Mixing for A Restricted or Anthology Sequence or Film: “The White Lotus”
Outstanding Sound Mixing for a Comedy or Drama Sequence: “Stranger Issues”
Excellent Sound Mixing for a Comedy or Drama Sequence (Half Hour) and Animation: “Solely Murders within the Constructing”
Excellent Visitor Actress in a Comedy: Laurie Metcalf, “Hacks”
Excellent Cinematography for a Single-Digicam Sequence (Half Hour): Christian Sprenger, “Atlanta”
Excellent Cinematography for Single-Digicam Sequence (One Hour): Marcell Rév, “Euphoria”
Excellent Visitor Actress in a Drama Sequence: Lee You-mi as Ji-yeong, “Squid Sport”
Excellent Particular Video Results in a Season or a Film: “The E book of Boba Fett”
Excellent Particular Visible Results in a Single Episode: “Squid Sport”
Excellent Stunt Coordination for a Comedy Sequence or Selection Program: Wade Allen, “Barry”
Excellent Stunt Coordination for a Drama Sequence, Restricted Anthology Sequence or Film: “Stranger Issues”
Excellent Stunt Efficiency: “Squid Sport”
Excellent Interval and/or Character Make-up (Non-Prosthetic): “Pam and Tommy”
Excellent Up to date Make-up (Non-Prosthetic): “Euphoria”
Excellent Prosthetic Make-up: “Stranger Issues”
Excellent Manufacturing Design for a Narrative Interval or Fantasy Program (One Hour or Extra): “The Gilded Age”
Excellent Manufacturing Design for a Narrative Up to date Program (One Hour or Extra): “Squid Sport”
Excellent Manufacturing Design for a Narrative Program (Half-Hour): “Solely Murders within the Constructing”
Excellent Single-Digicam Image Modifying for a Drama Sequence: “Euphoria”
Excellent Single-Digicam Image Modifying for a Comedy Sequence: “Barry”
Excellent Single-Digicam Image Modifying for a Restricted or Anthology Film: “The White Lotus”
Excellent Important Title Design: “Severance”
Excellent Visitor Actor in a Comedy Sequence: Nathan Lane for “Solely Murders within the Constructing”
Excellent Movement Design: “Dwelling Earlier than Darkish”
Excellent Authentic Music and Lyrics: Cinco Paul, “Schmigadoon!”
Excellent Music Composition for a Restricted or Anthology Sequence, Film or Particular (Authentic Dramatic Rating): “The White Lotus”
Excellent Music Supervision: “Stranger Issues”
Excellent Sound Modifying for a Comedy or Drama Sequence (One-Hour): “Stranger Issues”
Excellent Sound Modifying for a Restricted or Anthology Sequence, Film or Particular: “Moon Knight”
Excellent Sound Modifying for a Comedy or Drama (Half Hour) and Animation: “Barry”
Excellent Visitor Actor in a Drama Sequence: Colman Domingo, “Euphoria”
Excellent Music Composition for a Sequence (Authentic Dramatic Rating): “Severance”
Excellent Important Title Theme Music: “The White Lotus”
Excellent Actress in a Quick Kind Comedy or Drama Sequence: Patricia Clarkson, “State of the Union”
Excellent Actor in a Quick For Comedy or Drama Sequence: Tim Robinson, “I Suppose You Ought to Depart With Tim Robinson”
Excellent Up to date Hairstyling: “Impeachment: American Crime Story”
Outstanding Cinematography for a Multi-Digicam Sequence: “How I Met Your Father”
Excellent Cinematography for a Restricted or Anthology Sequence or Film: “Dopesick”
Excellent Tv Film: “Chip ‘n’ Dale Rescue Rangers”
Excellent Animated Program: “Arcane”
Excellent Casting for a Actuality Program: “Love on the Spectrum U.S.”
Excellent Character Voice-Over Efficiency: Chadwick Boseman
Excellent Choreography for Selection or Actuality Programming: “Savage X Fenty Present Vol. 3”
Excellent Cinematography for a Nonfiction Program: “100 Foot Wave”
Excellent Cinematography for a Actuality Program: “Life Beneath Zero”
Excellent Business: “Teenage Dream”, Sandy Hook Promise
Excellent Costumes for Selection, Nonfiction or Actuality Programming: The workforce from “We’re Right here”
Excellent Directing for a Documentary/Nonfiction Program: Peter Jackson, “The Beatles: Get Again”
Excellent Directing for a Actuality Program: Nneka Onuorah, “Lizzo’s Watch Out for the Massive Grrrls”
Excellent Directing for a Selection Sequence: Bridget Stokes, “A Black Woman Sketch Present”
Excellent Directing for a Selection Particular: “Adele: One Evening Solely”
Excellent Documentary or Nonfiction Sequence: “The Beatles: Get Again”
Excellent Documentary or Nonfiction Particular: “George Carlin’s American Dream”
Excellent Distinctive Benefit in Documentary Filmmaking: The workforce from “When Claude Acquired Shot”
Excellent Hairstyling for a Selection, Nonfiction or Actuality Program: “Annie Dwell”
Excellent Host for a Actuality or Competitors Program: RuPaul Charles of “RuPaul’s Drag Race”
Excellent Hosted Nonfiction Sequence or Particular: Stanley Tucci, “Stanley Tucci: Trying to find Italy”
Excellent Particular person Achievement in Animation: “Arcane,” “The Boy Savior”; “Arcane,” “Joyful Progress Day”; “Arcane,” “When These Partitions Come Tumbling Down”; “The Boys Presents Diabolical”; “The Home”; “Love, Dying and Robots,” “Jibaro”
Excellent Lighting Design/Lighting Course for a Selection Sequence: “The Voice”
Excellent Lighting Design/Lighting Course for a Selection Particular: “Adele: One Evening Solely”
Excellent Make-up for a Selection, Nonfiction or Actuality Program: “Legendary” and “We’re Right here”
Excellent Music Composition for a Documentary Sequence or Particular (Authentic Dramatic Rating): David Schwartz, Composer, “Lucy and Desi”
Excellent Music Course: Adam Blackstone, “The Pepsi Tremendous Bowl Halftime Present”
Excellent Narrator: Barack Obama, “Our Nice Nationwide Parks”
Excellent Image Modifying for a Nonfiction Program: “The Beatles: Get Again”
Excellent Image Modifying for a Structured Actuality or Competitors Program: “Lizzo’s Watch Out for the Massive Grrrls”
Excellent Image Modifying for an Unstructured Actuality Program: “Love on the Spectrum U.S.”
Excellent Image Modifying for Selection Programming: The workforce from “A Black Woman Sketch Present”
Excellent Manufacturing Design for a Selection Particular: “The Pepsi Tremendous Bowl Halftime Present”
Excellent Manufacturing Design for a Selection, Actuality or Competitors Sequence: “RuPaul’s Drag Race”
Excellent Quick Kind Animated Program: “Love, Dying + Robots”
Excellent Quick Kind Comedy, Drama or Selection Sequence: “Carpool Karaoke: The Sequence”
Excellent Quick Kind Nonfiction or Actuality Sequence: “Full Frontal with Samantha Bee Presents As soon as Upon a Time in Late Evening”
Excellent Sound Modifying for a Nonfiction or Actuality Program (Single or Multi-Digicam): “The Beatles: Get Again”
Excellent Sound Mixing for a Nonfiction or Actuality Program (Single or Multi-Digicam): “The Beatles: Get Again”
Excellent Sound Mixing for a Selection Sequence or Particular: “Adele: One Evening Solely”
Excellent Structured Actuality Program: “Queer Eye”
Excellent Technical Course, Camerawork, Video Management for a Sequence: “Final Week Tonight with John Oliver”
Excellent Technical Course, Camerawork, Video Management for a Particular: “Adele: One Evening Solely”
Excellent Unstructured Actuality Program: “Love on the Spectrum U.S.”
Excellent Selection Particular (Dwell): “The Pepsi Tremendous Bowl Halftime Present”
Excellent Selection Particular (Pre-Recorded): Adele: One Evening Solely
Excellent Writing for a Nonfiction Program: “Lucy and Desi”
Excellent Writing for a Selection Sequence: “Final Week Tonight with John Oliver”
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