It’s all coming again up on the market.
The longtime Connecticut house of the prolific producer, composer and lyricist Jim Steinman — greatest recognized for his collaborations with the late Meat Loaf — is now on the market, all furnishings included. The author behind Celine Dion’s 1996 observe “It’s All Coming Again to Me Now” handed away final yr, aged 73. The 6,183-square-foot two-bedroom the place he lived up till his demise is presently listed for $5.55 million with Laura Ancona of William Pitt Sotheby’s Worldwide Realty.
“When Jim Steinman handed in April of 2021, he left behind not solely his incomparable physique of musical and theatrical works, but in addition his beloved house in Ridgefield … the place he lived for almost 30 years,” reads the itemizing, calling the property the “Whole Eclipse of the Coronary heart” author’s “private sanctuary.”
Initially, the 1.56-acre property contained solely a rustic cottage constructed in 1920, however Steinman remodeled this into a house and studio worthy of collaborating with a number of the world’s most well-known acts. “Jim took nice pleasure in each object that you will notice in his house, which served because the backdrop to his life and work,” the itemizing continues. He spent greater than $6 million in building prices alone evolving the house, which is now brimming with artifacts of a life spent writing singles for the celebrities.
In an effort to protect the property as Steinman had curated it, the home is being bought as is — the whole lot of its contents included. The explanation: in keeping with the New York Instances, which first reported this providing, Steinman left no directions about what he needed accomplished with the house after his passing. He was a lifelong bachelor, and now his lifelong pals are dealing with the sale of the property.
From the surface it seems like a comparatively regular, if moderately sprawling, white-tone nation house. Inside, although, there's an eclectic array of film set-like furnishings, framed awards, statues galore and the very piano Steinman used to compose.
“Most individuals don’t like extremes,” Steinman as soon as stated, the New York Instances reported. “Extremes scare them. I begin at ‘excessive’ and go from there.”
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